Info

ow is a research project focused on the transformation of the internet user in relation to labour. It draws from Benjamin Bratton's The Stack definition of user—anything able to interface with another user; whether human, animal, plant, mineral, machinic, algorithmic, etc.—to understand the idea of work in a different way.

To do so, the project sets a scenario where a Universal Basic Income is a prerequisite for a post-work society, undermining the classic idea of work and worker—a process began in the 70s with the rising of the post-fordist figure.

The internet user is, indeed, the latest iteration of a process of full identification between the post-fordist worker and his her job, where intellectual and affective labour are the main means of production and of subject-formation.

Reading

In no particular order:

Output

Working on:

  • The Ideology of Free Culture and the Grammar of Sabotage—Matteo Pasquinelli

    I am aware that Pasquinelli does not want this text to circulate on the internet anymore, and that he took distance from it, but I found it a pleasant entry point to connect to a future reading of the Accursed Share, while also reading it as a follow up to Anna Nimus’ Copyrights, Copyleft and the Creative Anti-Commons. The text is from almost 10 years ago. The living energy of machines: Michel Serres and the cybernetic parasite The parasite is the asymmetrical arrow absorbing and condensing energy in a natural continuum from small organisms to human beings: “the parasite parasites the para... more
  • Copyright, Copyleft And The Creative Anti-Commons—Anna Nimus

    The creative anti-commons stands for an «All rights dispersed» approach to author's copyright. Text available here. Passages I underlined ⤵︎ From "A Genealogy of Authors’ Property Rights" Art was governed by a gift economy: aristocratic patronage was a gift in return for the symbolic gift of the work. The sharp rise in literacy created a new middle-class public of consumers – a necessary precondition for commercializing culture. The capacity of the printing press to mass reproduce and distribute the written word destroyed established values, displacing art from the courts to coffee houses and salons. See also, journalism. By locating the work of art in a p... more